“At art school,” says Chris Macfarlane, descending, for a breather, from the stepladder in his dining room, “I don’t remember being taught how to create a twelve-foot window display of a giant whale, while telling two kids to stop stabbing themselves with safety scissors, and trying to make avocado-on-toast at the same time.” Such expert-level… Read more »
Look at Wee Jackie go. Four-foot-nine, 43 years old, gabbing non-stop, grafting non-stop, her Sunday name – Jacqueline – tattooed on the back of her neck, she shoves that wheelbarrow around the garden like Glasgow’s own Sisyphus. She’s a force of nature in whose life nature has become a positive force.
IT is early 1963 and a group of schoolboys are standing on a green hill in Castlemilk, Europe’s largest housing estate, having their photograph taken. They jostle in front of the camera, crowding into the frame, anxious to be in the picture. One stands on tip-toe, leans his chin on another’s shoulder, and stares straight… Read more »
IT is Saturday night, almost Sunday morning, and 150 feet above the chill, black water of the Forth, in a sheet-metal bothy the colour of blood, the men of the bridge are waiting to begin work. “Sweetie?” Someone offers a barley sugar. “That’s what gets you through these shifts. Better than a hip flask.” The… Read more »
IT was a bright cold day in March, and the clocks were striking one when I learned I was to interview Lou Reed. Lou Reed! My immediate reaction was elation, swiftly followed by doubt, then dread. Reed is notoriously difficult; he is to journalists what Cape Horn was to 18th century sailors – a vicious… Read more »